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Description
Ahalyaa Plus Size Round neck Maxi Ethnic DressAhalyaa Plus Size Round neck Maxi Ethnic Dress PRODUCT DETAILS Green & pink floral printed plus size maxi ethnic dress Round neck Three quater, Puff sleeves Maxi length Layered detail Waist tie up & gathers detail Size & Fit Size worn by the model: 3XLChest: 44''Waist: 42''Hips: 46''Height: 5'4" Material & Care PolyesterMachine wash Specifications Fabric Polyester Fabric Type Crepe Hemline Flared Knit or Woven Woven Length Maxi Main Trend Floral Neck
Ahalyaa Plus Size Round neck Maxi Ethnic Dress
PRODUCT DETAILS
- Green & pink floral printed plus size maxi ethnic dress
- Round neck
- Three-quater, Puff sleeves
- Maxi length
- Layered detail
- Waist tie-up & gathers detail
Size & Fit
Size worn by the model: 3XL
Chest: 44''
Waist: 42''
Hips: 46''
Height: 5'4"
Material & Care
Polyester
Machine wash
Specifications
Fabric - Polyester
Fabric Type - Crepe
Hemline - Flared
Knit or Woven - Woven
Length - Maxi
Main Trend - Floral
Neck - Round Neck
Number of Items - 1
Number of Pockets - 1
Occasion - Festive
Pattern - Printed
Print or Pattern Type - Floral
Shape - A-Line
Sleeve Length - Long Sleeves
Sleeve Styling - Puff Sleeves
Stitch - Ready to Wear
Surface Styling - Layered
Sustainable - Regular
Transparency - Opaque
Wash Care - Machine Wash
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4.2 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001
★★★★★ 5
Cute Romance Novel
Format: Paperback
Was the perfect gift for a friend!
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Reviewed in the United States on June 2, 2026