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Pixies: Come On Pilgrim It's Surfer Rosa - VINYL LPTitle: Come On Pilgrim It's Surfer Rosa Artist: Pixies Label: 4Ad Product Type: VINYL LP UPC: 191400008410 Genre: Pop Release Date: 2018 09 28 Number of Discs: 3 30th Anniversary Deluxe Edition of Pixies' Debut EP and Album, Come On Pilgrim and Surfer Rosa, includes Bonus 1986 Radio Session Live From The Fallout Shelter. It's been thirty years since the release of Surfer Rosa a record made up of rage, religion, gore, incest and superheroes named Tony
Title: Come On Pilgrim It's Surfer RosaArtist: Pixies
Label: 4Ad
Product Type: VINYL LP
UPC: 191400008410
Genre: Pop
Release Date: 2018-09-28
Number of Discs: 3
30th Anniversary Deluxe Edition of Pixies' Debut EP and Album, Come On Pilgrim and Surfer Rosa, includes Bonus 1986 Radio Session Live From The Fallout Shelter. It's been thirty years since the release of Surfer Rosa - a record made up of rage, religion, gore, incest and superheroes named Tony - a debut album so good that it's since seen as a masterpiece. A year prior came Come On Pilgrim, an eight-track mini-album released in 1987 which contained cuts culled from their first ever studio session, where they famously recorded seventeen tracks in just three days (in full, this session makes up the band's much bootlegged and now officially released The Purple Tape). These formative records showed the Pixies to be an alien breed; four oddball outsiders from Boston blending US underground thrash rock, indie surf pop and Spanish-language flamenco with the Biblical mythology of Francis' childhood. They would go on to record another masterpiece in 1989's Doolittle but it's the gruesome glory of Surfer Rosa, and the ruined sexuality of it's cover image (a topless flamenco dancer in a crumbling Mexican bar) that set a fresh blueprint for an indie rock dynamism that not only planted the seeds of grunge (Kurt Cobain would admit that he was trying to imitate the record while writing Nevermind) but of much of the best rock music made since. To celebrate this milestone, Pixies are playing five sold-out intimate shows at London's Roundhouse this October and preceding them is the release of Come On Pilgrim... It's Surfer Rosa, the thirtieth anniversary edition which contains Come On Pilgrim, Surfer Rosa and Live From The Fallout Shelter, a concert-cum-session that first aired in late-1986 on WJUL in Lowell, MA. "An unparalleled example of rule-smashing innovation in independent music." Pitchfork "Smack in between hardcore punk and alternative, their secret weapon was leaping from sweet to screaming, driving a spike into Eighties rock." Rolling Stone "Surfer Rosa quickly cemented itself as a must-have album (and) 30 years on, it's aged into timelessness rather than becoming a period piece." The Quietus
Tracks:
1.1 Caribou
1.2 Vamos (Edit Version)
1.3 Isla de Encanta
1.4 Ed Is Dead
2.1 The Holiday Song
2.2 Nimrod's Son
2.3 I've Been Tired
2.4 Levitate Me
3.1 Bone Machine
3.2 Break My Body
3.3 Something Against You
3.4 Broken Face
3.5 Gigantic
3.6 River Euphrates
4.1 Where Is My Mind?
4.2 Cactus
4.3 Tony's Theme
4.4 Oh My Golly!
4.5 Vamos (Surfer Rosa)
4.6 I'm Amazed
4.7 Brick Is Red
5.1 Holiday Song (Live from the Fallout Shelter)
5.2 I'm Amazed (Live from the Fallout Shelter)
5.3 Rock a My Soul (Live from the Fallout Shelter)
5.4 Isla de Encanta (Live from the Fallout Shelter)
5.5 Caribou (Live from the Fallout Shelter)
5.6 Broken Face (Live from the Fallout Shelter)
5.7 Subbacultcha (Live from the Fallout Shelter)
5.8 Build High (Live from the Fallout Shelter)
6.1 Ed Is Dead (Live from the Fallout Shelter)
6.2 Nimrod's Son (Live from the Fallout Shelter)
6.3 Down to the Well (Live from the Fallout Shelter)
6.4 I've Been Tired (Live from the Fallout Shelter)
6.5 Boom Chicka Boom (Live from the Fallout Shelter)
6.6 Vamos (Live from the Fallout Shelter)
6.7 In Heaven (Live from the Fallout Shelter)
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4.6 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001