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francesco maria benedetti cantate moraliRANCESCO MARIA BENEDETTI (LDV 14091) (1683 1749) MORAL CANTADES Death (1733) The condemnation of Our Lord Jesus Christ (1719) My thoughts that you do (1718) Of Golgotha on the high, horrid peaks (1733) 1 CD (Total Timing: 73'04) Colorful Music Ensemble Anna Fey, Soprano Jacopo Columbro, Violin 1 Sophie Longmuir, Violin 2 Christian Rothe, Viola Mikel Elgezabal Garmendia, Cello Guido Grossmann, Doublebass Johanna Oehler, Recorder Max Hattwich, Theorbo,
RANCESCO MARIA BENEDETTI (LDV 14091)
(1683-1749)
MORAL CANTADES
Death (1733)
The condemnation of Our Lord Jesus Christ (1719)
My thoughts that you do (1718)
Of Golgotha on the high, horrid peaks (1733)
1 CD (Total Timing: 73'04)
Colorful Music Ensemble
Anna Fey, Soprano
Jacopo Columbro, Violin 1
Sophie Longmuir, Violin 2
Christian Rothe, Viola
Mikel Elgezabal Garmendia, Cello
Guido Grossmann, Doublebass
Johanna Oehler, Recorder
Max Hattwich, Theorbo, Archlute, Guitar
Sabina Chukurova, Organ
Trained under the guidance of A. Scorpe, DA Giordani and FA Urio, Francesco M. Benedetti is Choirmaster in Assisi, a friend of G. Tartini and a fellow student of Padre Martini.
The complex counterpoint of his music closely recalls Bachian characteristics, yet it also yields to galant elements that at times verge on a pre-classical idiom. Dense, virtuosic ornamentation, typical of the performance practice of the time, supports the theories on ornamental practice of the time.
ENGLISH VERSION
Trained under the guidance of A. Scorpe, DA Giordani and FA Urio, Francesco M. Benedetti is Chapel Master in Assisi, friend of G. Tartini and confrere of Father Martini.
The complex counterpoint of his music closely recalls Bachian characteristics which, however, give way to galant elements that in some points result in a pre-classical language. Dense and virtuosic ornamentations typical of the performance practice of the time support the theories on the ornamentation of that period.
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